I’d Rather Be Right
(1937)
Book by George S. Kaufman and Moss Hart
Music by Richard Rodgers
Lyrics by Lorenz Hart
Cast size: 7 men, 3 women, plus a large ensemble. One set.
I’d Rather Be Right opened on November 2, 1937 at the Alvin Theater, where it ran 290 performances. Moviegoers may be familiar with the patter song “Off The Record,” performed by James Cagney as Cohan in the film Yankee Doodle Dandy.
For performance rights, contact: Concord Theatricals
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The Plot
Attending the annual Fourth of July concert in Central Park, young Phil Smith and Peggy Jones can’t quite transcend the day’s bad news—Phil hadn’t got the raise he had been expecting. The couple wants to get married—if only they knew if President Roosevelt were going to balance the budget, that would be a big help. As if on cue, FDR himself enters and offers to give the youngsters whatever help he can. He calls in his Cabinet and asks Phil to sing “Have You Met Miss Jones?” to them as a way of enlisting their help as well. Soon, an entire parade of New Deal characters and programs—including the Federal Theatre Project—tromp through Central Park, all summoned to either support or criticize FDR. At the end of the day, FDR can’t promise to balance the budget for Phil and Peggy, but suggests they marry any way—the country will survive and so will they.
About the Play
Although Kaufman had satirized the presidency before, never had any playwright gone so far as to make a sitting president the leading character in a full-length satirical musical. Kaufman and Hart teamed for the only time with Rodgers and Hart (no relation), who had already two hits on the boards that season—Babes in Arms and On Your Toes. Adding the high anticipation among Broadway audiences for the show was the star performance of George M. Cohan, coming out of retirement as a singing/dancing Franklin D. Roosevelt. (Cohan’s personal politics were highly critical of FDR, and he was professionally quite critical of Rodgers and Hart’s score—although it yielded the standard “Have You Met Miss Jones?”)
The satire was non-stop; the president was summarily chided for his attempt to pack the Supreme Court (all nine pop out of the bushes to shout down FDR every time he proposes a new law), his failure to balance the budget, his ambition for a third term, even his frequent browbeating at the hands of his overbearing mother. (Kaufman and Company were clever enough to leave Eleanor off-stage for the evening.)
All aspects of the WPA came under the fire and it was perhaps inevitable when the Wagner Act actually appeared on-stage–as a German vaudeville team. The high profiles of the creative staff, plus the electric performance of George M. Cohan, made the show the hit of the season, even with—or perhaps because of—its sentimental closing speech, which had FDR rallying America with a fireside chat.
Stage history
I’d Rather Be Right opened on November 2, 1937 at the Alvin Theater, where it ran 290 performances. Moviegoers may be familiar with the patter song “Off The Record,” performed by James Cagney as Cohan in the film Yankee Doodle Dandy. It has never been revived in a full production, but in 1995, a concert version was produced at Arena Stage in Washington DC with a cast that included Edward Herrmann as FDR, David Garrison and Lauren Mitchell as Phil and Peggy, Kitty Carlisle Hart as FDR’s mother, and members of the Senate, Congress, and the Clinton Cabinet as other characters in the show.
Other Plays in the Catalogue
The Butter and Egg Man opened on September 23, 1925 at the Longacre Theatre. It ran for 243 performances. There have been several film versions and revivals at regional theaters. It was revived in 2000 at the Atlantic Theatre Company, directed by David Pittu and featuring Michael McGrath and John Ellison Conlee.
To the Ladies (1924). By George S. Kaufman and Marc Connelly.
By Moss Hart and George S. Kaufman. Cast size: 14 men, 9 women, doubling possible; one set. The Man Who Came to Dinner rolled onto Broadway at the Music Box Theatre on October 16, 1939. It became an overnight smash hit and stayed, rather like Whiteside, for a protracted visit of 739 performances.
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Contact Us Today
Interested in bringing George S. Kaufman’s timeless plays to your stage?
Please refer to the contact information for each specific play on the various collection pages for direct amateur and professional licensing information.
Plays are represented by Concord Theatricals, Broadway Dramatic Licensing, and Music Theatre International respectively
If you are interested in first-class performance or film/television rights:
In the US, George S. Kaufman’s plays are represented by:
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In the UK, George S. Kaufman’s plays are represented by:
Alan Brodie Representation
For more information about George S. Kaufman or this website, contact:
Laurence Maslon
Literary Trustee, George S. Kaufman Estate