Park Avenue
(1946)
Book by George S. Kaufman and Nunnally Johnson
Music by Arthur Schwartz
Lyrics by Ira Gershwin
An unusual and sophisticated show, written by some of the finest talents of the musical theater, with material far ahead of its time. Park Avenue is a small-scale farce involving the dangers of apparent serial monogamy among New York’s upper classes.
Manuscript only; contact: laurence.maslon@nyu.edu
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The Plot
Set in the Hamptons, Park Avenue involves a series of mistaken identities and misbegotten marriages and love affairs. A brittle musical comedy that was overlooked in the middle of the post-war return to homespun values, the show nevertheless deserves another viewing, especially with such witty songs as “Don’t Be a Woman if You Can,” by Schwartz and Gershwin.
About The Play
An unusual and sophisticated show, written by some of the finest talents of the musical theater, with material far ahead of its time. Park Avenue is a small-scale farce involving the dangers of apparent serial monogamy among New York’s upper classes.
Other Plays in the Catalogue
A psychological portrait of an inequitable marriage, this collaboration between Kaufman and his second wife, actress Leueen MacGrath is the story of a well-heeled Park Avenue publisher and his meek wife, who lives in the shadow of his success.
By Moss Hart and George S. Kaufman. Cast size: 14 men, 9 women, doubling possible; one set. The Man Who Came to Dinner rolled onto Broadway at the Music Box Theatre on October 16, 1939. It became an overnight smash hit and stayed, rather like Whiteside, for a protracted visit of 739 performances.
The Butter and Egg Man opened on September 23, 1925 at the Longacre Theatre. It ran for 243 performances. There have been several film versions and revivals at regional theaters. It was revived in 2000 at the Atlantic Theatre Company, directed by David Pittu and featuring Michael McGrath and John Ellison Conlee.
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Contact Us Today
Interested in bringing George S. Kaufman’s timeless plays to your stage?
Please refer to the contact information for each specific play on the various collection pages for direct amateur and professional licensing information.
Plays are represented by Concord Theatricals, Broadway Dramatic Licensing, and Music Theatre International respectively
If you are interested in first-class performance or film/television rights:
In the US, George S. Kaufman’s plays are represented by:
CPK Artists, LLC
In the UK, George S. Kaufman’s plays are represented by:
Alan Brodie Representation
For more information about George S. Kaufman or this website, contact:
Laurence Maslon
Literary Trustee, George S. Kaufman Estate
