The Butter and Egg Man
(1925)
By George S. Kaufman
Cast size: 7 men, 5 women. Two interiors.
Kaufman had used the considerable knowledge of Broadway production methods he gained working at the New York Times to construct a witty backstage morality play. His only major solo effort among all of his creations, The Butter and Egg Man gives a time-capsule portrait of theater in the 1920s.
For a script, contact: Concord Theatricals
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The Plot
A “butter-and-egg-man” refers to big roller who comes to the big city with big plans to spend his money on wine, women, and song. Peter Jones, a hotel clerk from Chillicothe , Ohio who comes to New York with $20,000 only wants to produce a Broadway play, in the hopes of using the (enormous) profits to open up a hotel in his hometown. He invests in Her Lesson, an unlikely hit with an aging, overweight ingénue, produced by the slightly shady team of Joe Lehman and Jack McClure. When the play bombs out of town in Syracuse, Jones offers to take the flop off of his producers’ hands—and they gratefully accept. However, Jones is able to make the flop into a hit, and soon he has all of Broadway—including Lehman and McClure—eating out of his hands.
About the Play
Kaufman had used the considerable knowledge of Broadway production methods he gained working at the New York Times to construct a witty backstage morality play. His only major solo effort among all of his creations, The Butter and Egg Man gives a time-capsule portrait of theater in the 1920s. It also seems to be a precursor to Mel Brooks’ The Producers, where two dishonest producers stage a flop that turns overnight into a hit. Still, The Butter and Egg Man is an excellent example of the Kaufman “technique” and a welcome opportunity for smaller theater groups who want to stage a more compact version of a play in the farcical manner of Kaufman’s larger work.
Stage history
The Butter and Egg Man opened on September 23, 1925 at the Longacre Theatre. It ran for 243 performances. There have been several film versions and revivals at regional theaters. It was revived in 2000 at the Atlantic Theatre Company, directed by David Pittu and featuring Michael McGrath and John Ellison Conlee.
Other Plays in the Catalogue
By Moss Hart and George S. Kaufman. Cast size: 20 men, 19 women, plus extras; 5 sets. Once in a Lifetime opened at the Music Box Theatre on September 24, 1930 and ran for 305 performances.
Let' Em Eat Cake opened on October 21, 1933 at the Imperial and ran 90 performances. It had not been revived until the Brooklyn Academy of Music presented a concert version in 1986, in conjunction with Of Thee I Sing.
In a rare collaboration with his Algonquin Round Table comrade, Alexander Woollcott, Kaufman wrote his only murder mystery.
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Contact Us Today
Interested in bringing George S. Kaufman’s timeless plays to your stage?
Please refer to the contact information for each specific play on the various collection pages for direct amateur and professional licensing information.
Plays are represented by Concord Theatricals, Broadway Dramatic Licensing, and Music Theatre International respectively
If you are interested in first-class performance or film/television rights:
In the US, George S. Kaufman’s plays are represented by:
CPK Artists, LLC
In the UK, George S. Kaufman’s plays are represented by:
Alan Brodie Representation
For more information about George S. Kaufman or this website, contact:
Laurence Maslon
Literary Trustee, George S. Kaufman Estate
