Let’ Em Eat Cake
(1933)
Book by George S. Kaufman ad Morrie Ryskind
Music by George Gershwin
Lyrics by Ira Gershwin
Cast size: 13 men, 7 women, plus a large singing and dancing ensemble; many locations
Let’ Em Eat Cake opened on October 21, 1933 at the Imperial and ran 90 performances. It had not been revived until the Brooklyn Academy of Music presented a concert version in 1986, in conjunction with Of Thee I Sing.
For performance rights: Concord Theatricals
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The Plot
In this story, the musical sequel to Of Thee I Sing, President Wintergreen is voted out of office by another ineffectual candidate named Tweedledee. Lacking legal recourse to their woes, the Wintergreens and Alexander Throttlebottom move to New York City and clothe themselves in the blue shirts sewn by Mary. It seems that having a plethora of blue shirts is just the thing to start a revolution, so the Wintergreens and their former Cabinet Officers march on Washington, overthrow the government, and depose Tweedledee.
Wintergreen becomes a dictator and, worse, seems to like it enormously. However, complete control comes at a price and when the League of Nations descends on The Blue House (as it is now known), complications, as they say, ensue—and Wintergreen is rescued only in the nick of time from execution by a military tribunal.
About the play
The Gershwins seized upon this complex scenario and wrote some of their most exciting work. George’s opening, with its contrapuntal musical duel of campaign songs is one of the most interesting pieces he ever wrote. He continued his notion of placing two melodies against each other with the love song “Mine,” the only song of the show to gain popularity. But, perhaps, not surprisingly, the show that contained these kernels of satirical wisdom was not embraced by audiences when it opened. Violent labor strikes were breaking out all over the country, and it’s unlikely that New York audiences wanted to be reminded of Hitler (brown shirts) and Mussolini (black shirts) as an antidote to chaos. In the end, however, Let ‘Em Eat Cake with its ambitious score and biting satire remains a succes d’estime, which Kaufman defined as:
“a success that runs out of steam.”
Stage history
Let’ Em Eat Cake opened on October 21, 1933 at the Imperial and ran 90 performances.
It had not been revived until the Brooklyn Academy of Music presented a concert version in 1986, in conjunction with Of Thee I Sing. It has been presented in several concert version since then, but no major stage revival has yet been produced.
Other Plays in the Catalogue
Another dynastic epic from the typewriters of Kaufman and Ferber, but this time with a serious tone and a pointed intention. The Kincaid family has made its money from some pretty rough-and-ready tactics during the Western expansion of the railroads in the 19th Century.
A psychological portrait of an inequitable marriage, this collaboration between Kaufman and his second wife, actress Leueen MacGrath is the story of a well-heeled Park Avenue publisher and his meek wife, who lives in the shadow of his success.
Minick is a three-act Broadway play written by Edna Ferber and George S. Kaufman, based on Ferber's 1922 short story "Old Man Minick", that opened on September 24, 1924.
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Contact Us Today
Interested in bringing George S. Kaufman’s timeless plays to your stage?
Please refer to the contact information for each specific play on the various collection pages for direct amateur and professional licensing information.
Plays are represented by Concord Theatricals, Broadway Dramatic Licensing, and Music Theatre International respectively
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Alan Brodie Representation
For more information about George S. Kaufman or this website, contact:
Laurence Maslon
Literary Trustee, George S. Kaufman Estate
