The Late George Apley
(1944)
By John P. Marquand and George S. Kaufman

Cast size: 8 men, 8 women. One interior.
The Late George Apley opened at the Lyceum Theatre on November 21, 1944; it ran 357 performances. It was made into a 1947 film starring Ronald Colman as Apley.
For performance rights, contact: Dramatists

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The Plot

George Apley is a well-respected patriarch and a Harvard graduate who has carefully cultivated his fortune, his tastes, and his family relations. But, the times change, and faced with two impending marriages that distress him—both his daughter and son want to marry outside the circle of their class and education—Apley finds that he is not nearly as flexible nor as happy as he always believed. He discovers in the end that he is a product of his world—a world whose values he begins to doubt–and that his world is vanishing before his eyes.
About the Play

Stage history
The Late George Apley opened at the Lyceum Theatre on November 21, 1944; it ran 357 performances. It was made into a 1947 film starring Ronald Colman as Apley. It still has not had the professional revival it deserves, although the Acting Company presented a reading in 1999 with Edward Herrmann as Apley.
Other Plays in the Catalogue
By George S. Kaufman and Morrie Ryskind. Music and Lyrics by Bert Kalmar and Harry Ruby. Cast size: 16 men, 10 women. Animal Crackers opened on October 23, 1928 at the 44th Street Theater, and it ran 191 performances.
The Solid Gold Cadillac opened at the Belasco Theatre on November 5, 1953, eventually moving to the Music Box Theatre where it closed on Feb 12, 1955, after 526 performances. The narrator was the recorded voice of radio comedian Fred Allen.
The Cocoanuts opened at the Lyric Theatre on December 8, 1925, where it ran 218 performances. Despite the success of the film version, it had never been professionally revived until a reconstructed text was staged at Washington DC's Arena Stage in 1986.
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Contact Us Today
Interested in bringing George S. Kaufman’s timeless plays to your stage?
Please refer to the contact information for each specific play on the various collection pages for direct amateur and professional licensing information.
Plays are represented by Concord Theatricals and Music Theatre International respectively.
If you are interested in first-class performance or film/television rights:
In the US, George S. Kaufman’s plays are represented by:
CPK Artists, LLC
In the UK, George S. Kaufman’s plays are represented by:
Alan Brodie Representation
For more information about George S. Kaufman or this website, contact:
Laurence Maslon
Literary Trustee, George S. Kaufman Estate







